A Language

Knowing Bodies and Monia Ben Hamouda: Path of Totality, Museo Casa Rusca, 2025/2026

Naming Natures, Identity and exhibition typography, Muséum d’Histoire Naturelle de Neuchâtel, 2024/2025

DAIDALOS, 2023/2024
Magazine, 128 pages, newspaper print, folded 7 page cover
ISBN 978-3-033-10266-8 (2023)
ISBN 978-3-033-10843-1 (2024)

ReCollect!, Identity and Signage, Kunsthaus Zürich, 2023/2024

Signage for Westhof, in Hochbord, Dübendorf, Zurich,
a community housing project designed by Conen Sigl Architekt:innen
2023

Empathy as Function – The Schools by Emil Jauch, Christoph Ramisch,
with a photo essay by Rasmus Norlander and a foreword by Stanislaus von Moos
Quart Verlag Luzern, ISBN 978-3-03761-261-3 (german), ISBN 978-3-03761-266-8 (english), 2022

Alexandra Bachzetsis, 2020: Obscene
Kunsthaus Zürich, 2022
Campaign photo: Melanie Hofmann

Yoko Ono, THIS ROOM MOVES AS THE SAME SPEED AS THE CLOUDS
Exhibition catalogue for Kunsthaus Zürich
DE/EN, 104 pages, ISBN 978-3-90626-933-7, 2022

Goran Galic/Gian-Reto Gredig, The First Picture Show
Titles and subtitles for a video installation, Sihlfeld Cemetery, Zurich, 2021
Photo: Goran Galic

Goran Galic/Gian-Reto Gredig, The First Picture Show
Text stills for a video installation, Sihlfeld Cemetery, Zurich, 2021
Photo: Goran Galic

Goran Galic/Gian-Reto Gredig,
2 or 3 things we know about “The First Picture Show”
Publication accompanying the exhibition
The First Picture Show, Sihlfeld Cemetery, Zurich
DE/EN, 20 pages, ISBN 978-3-9524764-2-0, 2021

Goran Galic/Gian-Reto Gredig, The First Picture Show
Poster as part of the visual identity of the solo exhibition of Goran Galic and Gian-Reto Gredig, Sihlfeld Cemetery, Zurich, 2021
Photo: Goran Galic

Vanessa Billy, We Become/Redevenir
Exhibition catalogue for Villa Bernasconi and Kunsthaus Pasquart
EN/FR/DE, 248 pages, Verlag für Moderne Kunst, ISBN 978-3-903572-29-4, 2021

Studio Conen Sigl, Workbooks: Grundelemente der Architektur I and II, Space I and II, and Story I
Semester projects conducted with architecture students of TU Dresden, EPF Lausanne, and ETH Zürich
DE (Grundelemente der Architektur I and II, Story I )/EN (Space I and II), 2018–2021

Walter de Maria, The 2000 Sculpture
Exhibition catalogue for Kunsthaus Zürich
DE, 72 pages, Scheidegger & Spiess, ISBN 978-3-03942-060-5, 2021

Bach Mühle Fuchs, Fragments of Utopia
Report of a study trip in southern France and northern Italy, photography by Alex Ochsner and Daniel Fuchs, drawings by Michael Godden
DE/EN, 104 pages, Efa – Energie für alle, ISBN 978-3-9524882-5-6, 2021

Signage for a biopharmaceutical company translating human immune memory into antibody therapeutics, in collaboration with Frédéric Dedelley, 2020/2021

William Forsythe, The Sense of Things
Booklet for Kunsthaus Zürich
DE/EN/Braille DE, 36 pages, 2021

abitare.ch
Website for a interior design studio and design furniture store in Chur, 2020/2021

Christine Streuli, Lange Arme, kurze Beine
Exhibition catalogue for Kunstmuseum Thun
DE/EN, 256 pages, Verlag für Moderne Kunst, ISBN 978-3-903320-61-1, 2020

The City As Energy Landscape
Exhibition design
Accademia di Architettura, Mendrisio, 2020

Kader Attia, Remembering the Future: nr. 1: Les Entrelacs de l'objet, nr.2: Janus, nr. 3: Postcolonial Switzerland
Exhibition catalogue in three issues for Kunsthaus Zürich
DE/EN, nr. 1: 72 pages, ISBN 978-3-906269-23-8; nr. 2: 28 pages, ISBN 978-3-906269-24-5; nr. 3: 124 pages, ISBN 978-3-906269-25-2, 2020

Kader Attia: Remembering the Future
Poster
Kunsthaus Zürich, 2020

Olafur Eliasson, Symbiotic Seeing
Exhibition catalogue for Kunsthaus Zürich
DE/EN versions, 196 pages, Snoeck, ISBN 978-3-86442-301-7 (german) 978-3-86442-302-4 (english), 2020

Olafur Eliasson, Symbiotic Seeing
Poster as part of the visual identity of the solo exhibition of Olafur Eliasson
Kunsthaus Zürich, 2020
Awarded at 100 Beste Plakate 2020

Olafur Eliasson, Symbiotic Seeing
Public transportation ad as part of the visual identity of the solo exhibition of Olafur Eliasson
Kunsthaus Zürich, 2020

Denise Bertschi, STRATA. Mining Silence
Exhibition catalogue for Aargauer Kunsthaus
DE/EN, 220 pages, edition fink, ISBN 978-3-03746-238-6, 2020

Conen Sigl Architekten, Kunsthaus Glarus – Form ⋅ Raum ⋅ Umbau
Publication on the occasion of the opening of the renovated Kunsthaus Glarus, photography by Roman Keller and Conen Sigl
DE, 48 pages, Efa – Energie für alle, ISBN 978-3-9524882-3-2, 2019

Andriu Deplazes, Rote Augen
Exhibition catalogue for Bündner Kunstmuseum Chur, in collaboration with Marlon Ilg
DE/FR, 168 pages, Verlag für moderne Kunst, ISBN 978-3-903320-01-7, 2019

2’222 Neumonde Basler Kunstverein
Back wall of Kunsthalle Basel celebrating 180 years of Basler Kunstverein. Mural and six series of six posters each
Kunsthalle Basel, 2019
Awarded at 100 Beste Plakate 2019

Burri Poller, 80 Jahre Landi Bank
Folded posters for BURRI Public Elements AG
2019

Josiane Imhasly, This Never Happened
Publication for *KURATOR
DE/EN, 200 pages, edition fink,
ISBN 978-3-03746-234-8, 2019

Guillaume Bruère
Exhibition catalogue for Kunsthaus Zürich
DE/FR, 446 pages, Scheidegger & Spiess, ISBN 978-3-85881-647-4, 2019

Svizzera 240: House Tour
Signage (Detail) on the Swiss Pavilion at the Venice Architecture Biennial
Pro Helvetia, 2018

Svizzera 240: House Tour
Tote bags for the Swiss Pavilion at the Venice Architecture Biennial
Pro Helvetia, 2018

House Tour: Views of the Unfurnished Interior
Official publication of Svizzera 240, the Swiss Pavilion at the Venice Architecture Biennial
EN, 168 pages, Park Books, ISBN 978-3-03860-114-2, 2018

Svizzera 240: House Tour
Accordion folded leaflets (in Italian, English, French and German) for the Swiss Pavilion at the Venice Architecture Biennial 2018
16 pages each, Pro Helvetia, 2018

Abraham Cruzvillegas, Autorreconstrucción: Social Tissue
Poster series as part of the visual identity of the solo exhibition of Abraham Cruzvillegas
Kunsthaus Zürich, 2018

Abraham Cruzvillegas, Autorreconstrucción: Social Tissue
Publication in two parts: reader and documentation, gatefold cover
144 pages (80 pages part A, 64 pages part B) Kunsthaus Zürich, ISBN 978-3-906269-15-3, 2018

Denise Bertschi: We say, we are fine. They say, we are not.
Publication for and in collaboration with the artist
44 pages, on the occasion of Neutrality as an Agent, Johannesburg (ZA) and Forever in a Hundred Years, Rapperswil (CH), 2018
Awarded at Most Beautiful Swiss Books 2018

Galerie Mark Müller
Visual identity (MM monograms)
since 2011

Galerie Mark Müller
Visual identity (invites)
since 2011

Galerie Mark Müller
Visual identity (signage)
since 2011

Galerie Mark Müller
Visual identity (website)
since 2011

Martin Chramosta, Melsass
Publication: layout and photography in collaboration with the artist
120 pages, Kunsthalle Mulhouse/Mark Pezinger Verlag, ISBN 979-10-91091-05-3, 2018

Into the Wild, Art and Architecture in a Global Context
Anthology of texts published in the aftermath of the 17th Colloquium for Doctoral and Postdoctoral Art History Researchers in Switzerland, University of Zurich
148 pages, Edition Metzel, ISBN 978-3-88960-169-8, 2018

Martin Chramosta, Die Wiedergeburt der heroischen Oper
Publication on the artists solo exhibition at Kunsthaus Baselland
88 pages, Amsel Verlag, ISBN 978-3-906325-00-2, 2018

Jeppe Hein, INHALE, HOLD, EXHALE
Exhibition catalogue for Kunstmuseum Thun
158 pages, Hatje Cantz, ISBN 978-3-7757-4438-6, 2018

Exposed Exhibitions – Fotoarchiv der Kunsthalle Basel
Timeline visualizing the institution’s history
Kunsthalle Basel, 2017

PERFORMING KNOWLEDGE
Folded poster for a group show (film still by Dominique Koch)
Zurich, 2017

SWISS ART + DESIGN AWARDS
Reflective lettering, in collaboration with Conen Sigl Architekten for the Federal Office of Culture of Switzerland, 2017
daylight-photo: Christian Knörr

Action!
Posters as part of an exhibition identity
Kunsthaus Zürich, 2017

Action!
Publications (EN/DE) as part of an exhibition identity
Kunsthaus Zürich, 2017

Pipilotti Rist, Dein Speichel ist mein Taucheranzug im Ozean des Schmerzes
Poster as part of the visual identity of the solo exhibition of Pipilotti Rist
Kunsthaus Zürich, 2016

blossom dance
Poster/wallpaper, in collaboration with Marlon Ilg
blossom, Zurich, 2016
Awarded at 100 Beste Plakate 2016

NEIN! zur Entrechtungsinitiative (Durchsetzungsinitiative)
Posters with statements by renowned Swiss writers against the enforced implementation of deportation laws in Switzerland
(image: Alex Capus and Pedro Lenz by Florian Bachmann, WOZ) WOZ, Die Wochenzeitung, 2016

SMA, Swiss Music Archives
Online archive for an initiative that collects, documents, and presents source materials and literature on the history of Pop and Rock music in Switzerland
Swiss Social Archives, Zurich, 2016

Akram Zaatari, THIS DAY AT TEN
Poster
Kunsthaus Zürich, 2016
Awarded at 100 Beste Plakate 2016

Hände weg? – Freiheit, Kontrolle und Besitz in den Künsten und im Design
2014 yearbook for the Bern University of the Arts, in collaboration with Marlon Ilg
80 pages, Bern University of the Arts, ISBN 978-3-9524091-2-1, 2015

Anicka Yi, 7,070,430K of Digital Spit
Poster
Kunsthalle Basel, 2015
Awarded at 100 Beste Plakate 2015

Plattform 14–16
Publications for a series of group shows featuring graduates (MA and BA) of all art universities in Switzerland
2014: 80 pages, 2015: 88 pages, 2016: 96 pages

Cindy Sherman, Untitled Horrors
Poster series
Kunsthaus Zürich, 2014
Awarded at 100 Beste Plakate 2014